Camille Dungy blogs for the Poetry Foundation
Date: March 16, 2020
Date: March 16, 2020
Date: March 16, 2020
Congratulations to William Trowbridge, Missouri’s newly appointed Poet Laureate! He’s the author, most recently, of Ship of Fool. His next collection, currently untitled, is due out in 2014. Read the press […]
Date: March 16, 2020
Elise Paschen was featured in Harvard Magazine in a great article about her career as a poet. “Paschen’s poems are sharp arrows piercing some target in her personal landscape. Infidelities explores both the pleasures […]
Date: March 16, 2020
David Clewell, Poet Laureate of Missouri, gave an excellent review of William Trowbridge’s newest poetry collection Ship of Fool on Ron Slate’s website, On the Seawall. Focusing on a few of his […]
Date: March 16, 2020
Red Hen Press is proud to announce that Elizabeth Bradfield’s collection Interpretive Work, published by Red Hen Press in 2008, won the Audre Lorde Award for Lesbian Poetry.
Date: March 16, 2020
Summer Brenner’s My Life in Clothes has received a very nice review in The Economist! The title of the piece? “You should be reading Summer Brenner.” We agree! They go on to say, […]
Date: March 16, 2020
“Prophetic Outlook” [by Ernest Hilbert] Prophetic Outlook Crooks run the whole world, and the Dow just fell. Crap rules the airwaves. All your best plans stall. The air is dirty, […]
Date: March 16, 2020
Split This Rock named Tess Taylor’s The Forage House and Dan Vera’s Speaking Wiri Wiri under their annual poetry book recommendation list for 2013. “Every so often there is a book of poetry that […]
Date: March 16, 2020
Tar River Poetry gave a wonderful review of William Trowbridge’s Put This On, Please for their spring issue. He is praised for his skill of making poetry seem effortless and enjoyable for his […]
Date: March 16, 2020
Congratulations to Red Hen author Loren W. Cooper! She was recently announced as a finalist for the 2018 Endeavor Award. The award honors a distinguished science fiction or fantasy book, either […]
Date: June 30, 2016
"Taut, beautifully written, and suspenseful, this resonant, feminist drama eschews easy answers. A page-turner of the highest caliber." Kirkus details the book's plot points, setting, and themes
Date: June 30, 2016
“Delightful. . . . A nimble and very funny collection of stories from a writer who clearly values the human condition in all its myriad forms.” Check out the observant […]
Date: June 23, 2016
Isthmus reviews Mark Rozema's Road Trip and applauds his ability to turn the world around us into a living, breathing setting which allows us to simply exist. "I found myself […]
Date: March 18, 2016
Recommended and briefly reviewed by Eduardo C. Corral in Poetry Magazine. The poems in Father, Child, Water by Gary Dop are funny, wicked, and poignant. These three qualities are visible […]
Date: March 16, 2016
The editor describes the book as "enigmatic, transversive, transformative," and so beautifully writes that there is "water–and the life water ensures–running through this book." Thanks for the wonderful words of […]
Date: February 16, 2016
"An interview with Dean Kostos about the power of pauses, structure, and zebra metaphors at Coney Island." The online magazine Guernica contucted an interview with author Dean Kostos as well […]
Date: February 9, 2016
The Literary journal Fogged Clarity has beautifully reviewed Dean Kostos's latest collection of poetry This Is Not a Skyscaper. "Like New York itself, with its carefully plotted grid of streets […]
Date: January 20, 2016
"Journey through a post-war Japanese American landscape with Amy Uyematsu as she defines race, unpacks the family incarceration experience and discovers a confluence with Japanese culture in “The Yellow Door,” […]
Date: January 12, 2016
"Just as Lam connects with and penetrates each persona, so too each persona achieves a moment that bridges or leaps the gap between our two cultures, forever wedded by the […]
Date: December 7, 2015
The first review for Seema Reza’s memoir When the World Breaks Open is live! Kirkus Review praises Reza for her “self-lacerating honesty” and that she “exercises literary license and often […]