News:

Suck on the Marrow wins an American Book Award!

Date: March 16, 2020

Camille Dungy’s Suck on the Marrow has won an American Book Award from the Before Columbus Foundation! For those of you keeping score at home, that’s the sixth significant honor this book […]

Ron Koertge Writes for Huffington Post!

Date: March 16, 2020

Author Ron Koertge wrote a post for Huffington Post about why he loves to write flash fiction: “Flash fiction doesn’t mind giving pleasure. It has a palpable level of affection for its […]

Amy Schutzer Opens Up to Shelf Unbound

Date: March 16, 2020

Amy Schutzer gave an interview to Shelf Unbound and talked about her creative writing process and influences for her new book, Spheres of Disturbance. “When I begin a novel, it is […]

Elise Paschen in Harvard Magazine

Date: March 16, 2020

Elise Paschen was featured in Harvard Magazine in a great article about her career as a poet. “Paschen’s poems are sharp arrows piercing some target in her personal landscape. Infidelities explores both the pleasures […]

Ship of Fool reviewed on Ron Slate’s website

Date: March 16, 2020

David Clewell, Poet Laureate of Missouri, gave an excellent review of William Trowbridge’s newest poetry collection Ship of Fool on Ron Slate’s website, On the Seawall. Focusing on a few of his […]

My Life in Clothes… in The Economist!

Date: March 16, 2020

Summer Brenner’s My Life in Clothes has received a very nice review in The Economist! The title of the piece? “You should be reading Summer Brenner.” We agree! They go on to say, […]

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Reviews:

Eamon Grennan’s PLAINCHANT reviewed in Good River Review!

Date: January 24, 2023

In his gripping new poetry collection Plainchant, Eamon Grennan weaves a revelatory narrative, rich with precise detail, layered symbolism, and evocative imagery. Plainchant is a powerful compilation of personal reflections. […]

Dennis Must’s MacLeish Sq. reviewed by Dactyl Review!

Date: January 24, 2023

Edward Said, writing about Beethoven’s late style, defined late style as that time wherein the artist freed from the expected cultural and historical restraints of form and content unleashes a […]

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