Lisa C. Krueger Featured on Poetry Foundation
Date: July 11, 2017
Poet Lisa C. Krueger was featured on Poetry Foundation's website with a poem from her book Run Away to the Yard, which was published with Red Hen Press earlier this […]
Date: July 11, 2017
Poet Lisa C. Krueger was featured on Poetry Foundation's website with a poem from her book Run Away to the Yard, which was published with Red Hen Press earlier this […]
Date: July 11, 2017
Red Hen poet Lena Khalaf Tuffaha was recently featured on Poetry Foundation's website with a poem titled National Security Advisor from her book Water & Salt, published by Red Hen […]
Date: July 11, 2017
Red Hen poet Gary Lemons was recently featured on Poetry Foundation's website with a poem from his book The Weight of Light. https://www.poetryfoundation.org/poems/143498/nowhere-to-hide
Date: July 6, 2017
See Red Hen authors t'ai freedom ford and Brendan Constantine in Santa Monica this weekend (07/09/2017) at The Broad Stage – The Edye as a part of An Evening of […]
Date: July 6, 2017
Lost and Found features short essays (3000 words or fewer) examining under-read, overlooked, or otherwise "lost" books which—for reasons personal, political, artistic, or otherwise—deserve to be found again. In her […]
Date: July 5, 2017
Check out this interview Red Hen poet Elise Paschen did with Deborah Kalb Books about her newest poetry collection, The Nightlife. https://deborahkalbbooks.blogspot.com/2017/07/q-with-elise-paschen.html
Date: July 5, 2017
Red Hen Press was featured in the Los Angeles Times on Sunday (7/2) in a piece on upcoming events this week in LA. Make sure to check out our event […]
Date: June 28, 2017
Red Hen Press author, Bradley Bazzle, was recently featured in the newest issue of Prism Review with his story Sharnhorse. Bazzle's newest book, Trash Mountain, will be released by Red […]
Date: June 5, 2017
Red Hen Press author Ellen Meeropol, released an essay titled Being My Dad's Many Daughters which can be found in Elayne Clift's new book Take Care: Tales, Tips and Love […]
Date: June 3, 2017
Pasadena Now covered the Pasadena Museum of California Art 's 15th anniversary events, which included a poetry reading by Red Hen Press authors William Archila, Douglas Manuel and Lisa C. […]
Date: March 12, 2026
The author lost her sister at the end of 2019; soon after, the world went into lockdown due to the Covid-19 pandemic, compounding Rikkers’ already overwhelming loss with a sense […]
Date: March 12, 2026
At the heart of Adrianne Kalfopoulou’s The re in refuge is the experience of crossing borders—primarily international, cultural, and linguistic but also erotic, psychological, and intellectual, among others. A Greek […]
Date: March 3, 2026
Each line is a steady and reassuring four beats in length, filled with words that help move the story along.
Date: February 18, 2026
Full review to come March 1! “The characters’ journeys are candid and vulnerable, rendering a pertinent, rich portrait of displaced lives reshaped by conflict and its enduring consequences.” —Booklist
Date: February 11, 2026
Mysticism and science merge in the story of a Louisiana artist. Pence tells her story in language on the border between poetic and precious.
Date: February 3, 2026
This week’s Thirst Quencher doesn’t tiptoe, it kicks the door in. Kill Dick by Luke Goebel is dark, unsettling, and unexpectedly funny, driven by characters and ideas that refuse to […]
Date: February 3, 2026
Abi Pollokoff’s debut poetry collection night myths • • before the body, released this year from Red Hen Press with much advanced praise, is so deft in execution, so consistent […]
Date: February 3, 2026
The daughter of a pharmaceutical executive gets ensnared in criminal mischief in this ambitious blend of social satire and sunshine noir from Goebel (Fourteen Stories, None of Them Are Yours). […]
Date: January 27, 2026
Helen Benedict’s THE SOLDIER’S HOUSE (2026) completes her Iraq war trilogy, that began with SAND QUEEN (2011) and was followed by WOLF SEASON (2017). But the new book is actually […]
Date: January 27, 2026
“…Shot through with the sort of pseudo-profundity endemic to youthful privilege, Susie’s rambling, terminally jaundiced narrative paints a darkly surreal Lynch- and Kubrick-inspired portrait of LA.”