News:

Alta: Talking with Tess Taylor

Date: May 29, 2020

Tess Taylor’s poetry is a literary collage: an assemblage of the poet’s words and the ontology of California itself. In two collections out this year, Rift Zone and Last West: Roadsongs for Dorothea […]

The Millions Must-Read Poetry: April 2020

Date: May 29, 2020

The Millions Nick Ripatrazone lists Tess Taylor’s Rift Zone: California: pastoral, urban, suburban—home to myth and magic. Taylor’s book is geologic in concept and theme, both panoramic and particular (her […]

Ms. Magazine Poetry for the Rest of Us: 2020 Roundup

Date: May 28, 2020

The Feminist Know-It-All: You know her. You can’t stand her. Good thing she’s not here! Instead, this column by gender and women’s studies librarian Karla Strand will amplify stories of the creation, access, use and […]

Rekindled: Andrew Altschul in Conversation With Ellen Meeropol

Date: May 27, 2020

On this episode of Rekindled, Andrew Altschul is in conversation with Ellen Meeropol. Andrew Altschul’s third novel, The Gringa, was published the day before the World Health Organization declared the coronavirus crisis […]

Red Hen is #1!

Date: March 16, 2020

We are delighted that Red Hen's readings at the Annenberg Community Beach House were ranked as the most-liked poetry reading of 2014 on

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Reviews:

Hyperallergic reviews Didi Jackson’s MY INFINITY

Date: September 17, 2024

If Hilma af Klint’s monumental paintings could speak, what would they say? Didi Jackson answers this with a resonant collection of poems, several written from the perspective of the Swedish […]

Poetry Foundation reviews Didi Jackson’s MY INFINITY

Date: September 10, 2024

In Didi Jackson’s My Infinity, the “Northern sky stands so straight, / it uses the largest pines for crutches;” “The moon’s marias emerge / like age spots, monochromatic and ashy;” and […]

Shelf Awareness reviews Eunice Hong’s MEMENTO MORI

Date: September 3, 2024

Eunice Hong’s exquisite debut Memento Mori won the 2021 Red Hen Press Fiction Award, chosen by judge Aimee Liu. Hong’s simple, well-worn opening line, “Once upon a time,” belies an intricate narrative […]

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